Tuesday, December 16, 2008

 

Top Emcee?

It was a pretty slow year for hip hop. There were some gems in Why?, Badu, GZA, and the late, very fine release ending Q-Tips nine-year drought. But nothing that will go down as a classic (though Badu came close). Last year I heard no fewer than three classic records from Wu-Tang, Dalek, and the truly sublime El-P. Which might be why I find myself coming back to those three albums lately. In particular I'm still awed by El-P's I'll Sleep When You're Dead. Over the past year and half it hasn't lost any of its force and now more than ever I consider it the finest hip hop record since Madvillainy. You almost never hear El-P mentioned in "best rapper alive" discussion, but the more I pull that album apart the more I start to think at the very least there isn't anyone better. And unlike Lil' Wayne (why did I buy that entire album when all I wanted was "A Milli"?), El-P has something to say. I never thought I'd say it, but he's better than Ghostface these days and Jay-Z is still saying the same stuff he's always said. So I'm going to go ahead and call El-P the best rapper alive. And while he's at it he gets to call himself a top producer and the owner of the best indie hip hop label around. So if you only buy one rap album this year, make it one from last year.



*WARNING* This video depicts some pretty intense "interrogation"



Comments:
This is the thing that troubles me about music criticism (and male-bodied people, for that matter)--why the obsession with superlatives? No one knows what a classic is NOW--art 'becomes' classic in time. So we don't need to be anxious to figure out what a contemporary classic is, at least not in any large sense. All we can do is convince others to listen to the music we love with the same generosity that we do.
 
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